Historical Methods and Theory

Showing 1 to 7 of 7 results.

Ugly Productions

An Aesthetics of Greek Drama

By A. C. Duncan
Subjects: Classical Studies, Greek, Theater and Performance, History, Historical Methods and Theory

Charts the historical development and deployment of ugliness in Greek drama

Seeing the Past with Computers

Experiments with Augmented Reality and Computer Vision for History

By Kevin Kee & Timothy J Compeau
Subjects: Media Studies, New Media, History, Historical Methods and Theory, Digital Projects
Series: Digital Humanities

A pathbreaking volume of innovative case studies exploring uses of visual technologies for historical research and teaching

Arguments with Silence

Writing the History of Roman Women

By Amy Richlin
Subjects: Classical Studies, Roman, Gender Studies, History, Historical Methods and Theory

Examining the perishable nature of the history of women’s lives

Textual Rivals

Self-Presentation in Herodotus’ Histories

By David Branscome
Subjects: Classical Studies, Greek, History, European History, Historical Methods and Theory

An investigation of what a Herodotean inquirer can do, and what he should do

Writing History in the Digital Age

By Jack Dougherty & Kristen Nawrotzki
Subjects: History, Historical Methods and Theory, Cultural Studies, Digital Projects, Media Studies, New Media
Series: Digital Humanities

A born-digital project that asks how recent technologies have changed the ways that historians think, teach, author, and publish

A New England Prison Diary

Slander, Religion, and Markets in Early America

By Martin J. Hershock
Subjects: History, American History, Historical Methods and Theory, Political Science, American Politics

A microhistorical examination of early American culture

The Future of Class in History

What's Left of the Social?

By Geoff Eley & Keith Nield
Subjects: History, Historical Methods and Theory, American Studies, German Studies, Cultural Studies, Sociology, Anthropology, Political Science, Political History, Class Studies

In the struggle between "social" and "cultural" thinking, the refusal to choose sides can be a radical and vital move

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